Diary of a Network Geek

RepoMen

Originally uploaded by Network Geek

I saw Repo Men last Friday.

I loved this movie!
No, really, I was half expecting it to be total cheese, but it was surprisingly good. I read a review before hand wherein a reviewer complained that there was no dark humor in this film. Frankly, I wonder if we saw the same movie, because, though there wasn’t a laugh track, there was tones and tones of dark humor. Though, maybe some of it was lost on the reviewer and, frankly, the audience I saw the movie with, too. Thankfully, my usual movie companion is a fellow cancer survivor who has a similar sense of humor and we were laughing at the same things.

So, first, know that this is a bloody film. It’s not gory in a slasher sense of things, but there is a lot of carving on people as well as shooting and other fighting action.
Remember, the basic premise of the film is that, in the future, The Union has cornered the market on artificial, replacement organs. Anyone who has a problem with, say, their liver or their kidneys or their heart or their lungs, can go to The Union and get a perfect artificial replacement. For a fee. In fact, for very, very large fees, which the Union will let you pay them off at “reasonable rates to fit any lifestyle”. Of course, those “reasonable rates” aren’t very reasonable. And, the Union will send someone to repossess their property if payments aren’t made. Yeah, that’s right, they’ll repossess your heart.

The story follows two repo men as they hustle their way through this futuristic dystopia of corporate greed and consumer debt. They’re hard, brutal men, like many repo men are, only more so.
Jake, played by Forest Whitaker, loves his job. He loves the work, the people, the fear that he strikes into the hearts of others. His partner, Remy, played by Jude Law, is less into the work and he’s getting pressure from his wife to get into a safer, more savory, line of work anyway. But, then, something happens on what Remy plans as his last job. There’s a malfunction, a short-circuit and Remy finds himself in need of the Union’s special hardware. He wakes up with a Union “heart” keeping him alive and a massive debt schedule. The only problem is, now, he doesn’t have the heart to repossess other people’s organs.

So, that’s the setup, and if you want to avoid the spoilers, stop reading here.
The problem is, Remy defaults on his heart and goes on the run. Naturally, the barely human local Union rep, Frank, played by Liev Schreiber, sends Jake, Remy’s old partner, to collect. Remy knows all the tricks, though, and off he goes into that strange place that’s off the grid in a future world ruled by a network of data that we’re only just starting to be aware of now. Along the way, he picks up a torch singer who also happens to be riddled with organs on which she’s defaulted. She introduces him to the black market and the underground economy. The chase is long and winding and ends up in the heart of the Union itself. I won’t tell you how it ends, but it is a surprise and a twist, but it’s not disappointing in the slightest and it is a real surprise.

Now, there are a couple of things that I think are interesting about this movie.
First, I can’t tell if they’re making an homage to Blade Runner, or if they’re making fun of it. The sets and settings all remind me, and every other reviewer out there, of Blade Runner and Ridley Scott’s vision of a future L.A. It also reminds me of William Gibson’s descriptions of a gritty future. But, it still works, either way. Also, that future is interestingly contrasted with a shrinking suburban landscape where Remy lives. A setting, incidentally, that also becomes a backdrop for at least on bloody repossession by Jake. The contrast is, well, a little shocking, even to someone as jaded as me.
Secondly, there’s a scene where Remy and Beth, the torch singer, cut into each other to scan their defaulted organs. Remy only has the one, but the part of the scene where he inserts the scanner into her goes on, um, somewhat longer. Though this was a bloody and gruesome scene, it was also disturbingly erotic, which I found a little unnerving. It’s not an entirely bad thing, but it was a surprise to see in a major motion picture, even one that’s R-rated. So, you’ve been warned.
Thirdly, the music was used expertly in this movie. The contrast of happy, pleasant “elevator” music during a violent scene is, at first, funny, but eventually, a kind of beautiful, violent dance that takes on a kind of surreal feel that was really fantastic. Music can certainly enhance a film and the director really makes fantastic use of it in this movie.

Right, so, here’s the thing. I loved this movie which I found fun and yet insightful and filled with the darkest of black humor. The entire theme is a commentary on the current health care crisis and the American personal debt crisis as well. I found a personal connection with that bit because of my own medical bills as a cancer survivor. They do seem never ending and oppressive at times as I’m sure they do for millions of other Americans who are far worse off than I am. So, I’m not sure how that will sit with the general viewing public, but it really hit home for me and, yet, also tapped into my own, personal reserves of black humor.
So, as I was mentioning, I loved this movie, but I imagine it’s not for everyone. It is dark, and violent, and bloody, and bleak, in it’s way, in the outlook on where things are going in our society, especially in regards to healthcare, debt and personal responsibility. But it does end with a kind of hope, in a strange and twisty way.

I can’t recommend this film for everyone, but if you’re open to something new and different and dark and violent, then this is your film. I suggest you take a chance, roll the dice and go see it, especially if you like science fiction, but even if you don’t.
If you’re not sure, then hit a matinee and minimize your risk.
Go ahead, take a chance.

(Sorry this is so late this week, but I’ve been busy and working late.)

So, I’ve seen a couple of movies in the past several weeks that I have been too busy to review.  Here’s one of those.

I’m doing this in reverse order, by the way, and reviewing the most recent movie first.  On Christmas Day, I saw Sherlock Holmes with a friend, like we have for the past three years now.  In fact, when we started that shortly after I got out of cancer treatment, that was the start of my massive spree of hitting in the theaters.  In any case, I’ve seen a lot of movies in the past two years, but I try not to get jaded and all snooty about it like the professional critics do.  I tried to set aside any preconceived notions about what this film should be and just tried to be open to the experience.

It was, um, interesting.
I don’t really think of Sherlock Holmes as an action hero, but, that’s sure what Robert Downey Jr. and Guy Ritchie made him.  And, you know what?  It worked.  Yeah, it really did.  Now, I’m sure purists will get bent out of shape with Holmes boxing, or doing savate, or whatever it was supposed to be, but, really, it doesn’t seem like such a stretch to me.

But, I’m getting ahead of myself.
The plot is typical Victorian era adventure stuff.  The opening scene starts with an attempted occult murder, a sacrifice, that is thwarted by Holmes, played by Downey, and his faithful companion, Dr. Watson, played by Jude Law.  The erstwhile occultist, and thwarted murderer, is Lord Blackwood, a nobleman and, quite obviously, the villain.  And, yeah, if his name didn’t give it away, his theme music did.  A little heavy handed, but, still all in the spirit of a good adventure.
Then, we quickly fast forward through Blackwood’s trial and right to the day before his execution.  Watson is set to attend the execution as both one of his accusers and as a physician, to certify his death.  However, it’s Holmes that Blackwood calls for before his execution so that he may deliver a prediction about his return from the grave and other, more dire, predictions about deaths that Holmes won’t be able to prevent.

Naturally, these things come to pass, in spite of Holmes and Watson’s best efforts to stop them.  We also discover the person Holmes always referred to as “The Woman”, in the stories by Sir Arthur Conan Doyle, Ms. Irene Adler.  In the movie, however, she’s a much more active and adventuresome woman, at least in the athletic sense, and played by Rachel McAdams.  And, she’s quite troublesome to the pair of friends.  At first, she seems to be working against the two men and, possibly, is in league with Blackwood.  But, it’s not long before we discover that she’s actually working for someone else entirely and is only partially at cross-purposes to Holmes and Watson.

There is also at least one subplot here; Watson’s engagement.
He takes his fiance to meet Holmes for dinner, though he’s obviously been avoiding it.  It seems he’s not all that keen on losing his best, and oldest, friend to marriage.  The meeting is a disaster as Holmes only partially deduces her story and essentially accuses her of being a gold-digger out to marry a wealthy doctor.  In fact, her previous fiance died and she is quite in love with Watson, who already was aware of all the things which Holmes correctly detected.  And this will prove a key relationship as she is quite helpful to Watson several times during the ensuing adventure.

The prophecies that Blackwood made all start coming true, of course, much to Holmes and Watson’s growing discomfort.  And, naturally, Holmes obsession with trying to prevent these events, as well as trying to track down Blackwood, leads the two men on a twisting journey through a slightly anachronistic Victorian, really almost Edwardian, London.  Along the way, they run afoul of Ms. Adler and her mysterious employer until she and Holmes eventually agree to work together, though, she never really stops working for the other man.
Blackwood’s predictions, incidentally, all seem to be centered around some sort of occult plot to take over the world, naturally.  Blackwood is trying to gain control over a quasi-Masonic occult secret society with roots in England, but branches as far as America.  As is usual in the Sherlock Holmes stories, he uses cutting edge science to make what seems to be magical events occur under his control.  The superstitious members of the society assume that he’s managed to achieve a higher level of occult competency and, therefore, out of fear, or greed, follow him.  But, of course, Sherlock Holmes and John Watson are there to fight for justice, etc., etc.

Now, I won’t ruin the movie by revealing more of the plot and I certainly won’t tell you how it ends, except to say that they do leave things open for a sequel.
Okay, let me make it clear here, I liked this movie, even though it does present a somewhat non-traditional Holmes.  I didn’t mind the boxing or savate or whatever it was Holmes was doing.  It made for fantastic action sequences.  I didn’t even mind that Downey couldn’t seem to maintain a consistent English accent.  Honestly, the action was so good and the rest of the acting was so good that the minor slip of accent was barely noticeable.
I was somewhat less thrilled about the heavy-handed occult references and the entire secret society subplot.  Maybe it has to do with the fact that I am a Freemason, so I see the attempts to mimic the Fraternity in these occult societies and, frankly, I know just how wrong they are.  Also, frankly, the older I get the more hokey I find the average supernatural stories in the movies and such.  Maybe it’s just that I’m getting more spiritual and therefore less superstitious, but it just seems less and less believable.
And, the one anachronism that was just too huge to ignore was a reference to radio waves.  At the time the story takes place, if “radio waves” had even been discovered, which I’m almost certain they had not been, they certainly wouldn’t have been called radio waves.  If anything, they might have been called Hertzian waves.  But, Nikola Tesla, the first patent holder of a true, working radio device, had either not been born yet, or was less than ten years old, depending on precisely when the story in the movie was to have taken place.  But, honestly, that was a relatively small thing and didn’t get in the way of my general enjoyment of the film at all.

I know this film will be eclipsed by Avatar, but I really enjoyed it and I whole-heartedly recommend it to anyone who likes action movies, or even Sherlock Holmes.  It was thoroughly enjoyable and well worth seeing.
I think I may even look forward to seeing a sequel!